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On the Edge: Collected Long Poems, by Kenneth Koch
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In paperback for the first time: Kenneth Koch’s six masterly, groundbreaking longer poems, which contain some of the poet’s most original work, full of exclamation and exaggeration but graced as well with dry wit and sophistication. Together they serve as the companion volume to the highly praised Collected Poems of Kenneth Koch.
- Sales Rank: #2676703 in eBooks
- Published on: 2012-07-25
- Released on: 2012-07-25
- Format: Kindle eBook
From Publishers Weekly
One doesn't go to Koch to experience the opening of the poet's mind to the world (Ashbery's stated desire), but for urbane, often vaudevillian, entertainments. This volume—a companion to 2005's Collected Poems (also Knopf), which gathers all of Koch's shorter poetry—shows Koch stretching out in his six extended works. The early Dada epic When the Sun Tries to Go On is a 60-plus page list of syntactical detritus, punctuated by bizarre apostrophes: O tuxedo/ May conceited lobster! Ko, or a Season on Earth is Koch's masterpiece, a mock epic in Byronic stanzas about a Japanese baseball player who hits it big, punctuated this time by impossible synchronicities: Meanwhile the entire continent of Asia/ Was moving sideways unpredictably/.../ Hawaii, meanwhile, feeling simply great/ Was speeding toward acceptance as a state. Impressions of Africa shows Koch opening up a more personal space: the poem is a journal of his long journey to Africa. At last, there is a psychological element (of sorts), as Koch finds himself silenced: I look at nothing for a while. This book may change some opinions on Koch; readers may ask whether his prodigious formal inventiveness thrives given more room, or if the poems remain surface-oriented, like a body of wate that never moves but looks lively wherever you are watching. (Oct.)
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Review
“No American poet over the last half-century wrote with as much antic and anarchic gusto as Kenneth Koch: In the grand tradition of fast-talking funnymen from Aristophanes to Groucho, his boisterous brand of comedy was a natural byproduct of his exuberant audacity. Who says serious poetry has to be solemn?” —The Boston Globe
From the Trade Paperback edition.
About the Author
Kenneth Koch published many volumes of poetry, now gathered in The Collected Poems of Kenneth Koch and On the Edge. His plays are collected in The Gold Standard: A Book of Plays and One Thousand Avant-Garde Plays, and his fiction was brought together in Collected Fiction. He also wrote several books about poetry, including Wishes, Lies, and Dreams; Rose, Where Did You Get That Red?; and Making Your Own Days: The Pleasures of Reading and Writing Poetry. Koch was the winner of the Bollingen Prize (1995) and the Bobbitt National Prize for Poetry (1996), a finalist for the Pulitzer Prize (1995) and the National Book Award (2000), and winner of the first annual Phi Beta Kappa Poetry Award (2001). He was named Chevalier dans l’Ordre des Arts et des Lettres by the French government in 1999. Kenneth Koch lived in New York City, where he taught at Columbia University.
Most helpful customer reviews
3 of 3 people found the following review helpful.
from RCF Vol. XXVIII, #1
By buyer
Called the "headmaster and ringmaster" of the New York School by his friend John Ashbery, Kenneth Koch's On the Edge: Collected Long Poems follows on the heals of the 2005 release of The Collected Poems of Kenneth Koch and The Collected Fiction of Kenneth Koch, which along with a few volumes of plays, some anthologies, and several successful books on the teaching of poetry, rounds out the oeuvre of this important, irreverent, innovative, madcap genius of a poet. Although widely read and appreciated, Koch never quite achieved the critical acclaim and immense popularity of his closest New York School compadres, a conundrum well illustrated by the work in this volume; not because it is lacking anything, but rather because its excesses--its exuberant embrace of "[t]he excitement/ [a]nd the illusion of living at the beginning of thought"--are wholly outside of the waxing and waning modes of popular verse in both conservative and experimental circles. The first of the six poems reprinted here, "When the Sun Tries to Go On," is Koch at his zaniest; written in the early 1950s, its 2,400 lines of pseudo-sense brought the spirit of Dada into American poetry and prefigured some of the innovative techniques often attributed to Language writing. It is also the volume's most polarizing work, praised by the avant-garde and panned by just about everyone else. It is followed by two epic poems, "Ko, or A Season on Earth" and "The Duplications," which were written in the Italian form of ottava rima. Using rhyme and meter in a contemporary epic poem would be enough to guarantee a relegation to the sidelines of popularity; throw in a wholly comedic narrative about a Japanese baseball player with an explosive pitch, as Koch did, and you're pretty much out of the game for good. These are wonderful poems, made all the more fresh because they lack an attendant army of imitators taking up their concerns. The last three poems included here, "Impressions of Africa," "On the Edge," and "Seasons on Earth," show Koch's gradual movement from a poetry "ecstatically in the present tense" toward the often nostalgically tinged pathos of much of his later work.
0 of 1 people found the following review helpful.
Perfect for strangers like the ocean and flowers
By C. A. Foster
His works are, stacked, one
Thing.
Enumerated, you will become after this and all his books:
1. playful
2. unembarrassed
3. gamey, that is, tangy
4. round-muscled.
5. A soul enduranced by totalities
6. It's true! No, go on. I'm sorry. You were saying?
His poetry here has the welcoming rigidity of a fresh vegetable. Cruciform blocks in a supreme ornamentation during your sip of eternity.
He knew Virgil and Homer were the smiling free-stylers of their day.
After his death I don't doubt at all he went looking for them.
He wrote in English, but there is a loving dash of other languages he lived among here.
Try reading this without saying, every time you close the book: "Now that's a man."
How I wish he wasn't dead by the time I found out about him! Damn it, damn it, damn it.
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