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Dark Cities Underground, by Lisa Goldstein
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In her most ambitious novel yet, Lisa Goldstein tells the story of Ruthie, a young journalist sent to interview Jerry, an older man who as a child was the central character of a series of classic childrens books written by his mother, the Adventures of Jeremy in Neverwas. But Jerry's scary fantastic world is real and sucks them in to strange adventures underground, where love and death threaten.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- Sales Rank: #1513676 in eBooks
- Published on: 2000-07-07
- Released on: 2000-07-07
- Format: Kindle eBook
Amazon.com Review
Ruth Berry wants to be the first reporter in years to interview reclusive Jeremy Jones, the son of famed author E.A. Jones and the hero of her classic children's fantasy books. Jeremy does not want to discuss his childhood; he has forgotten it, he has changed his name to Jerry, and he has not spoken to his mother in many years. But he finds his memories returning when strange events seem to indicate that the Adventures of Jeremy in Neverwas weren't fantasy. He, Ruth, and Ruth's daughter Gilly sink ever deeper into a terrifying underworld, pursued by the villainous Barnaby Sattermole, by Sattermole's monomaniacal archenemy Sneath, and by the relentless Shadow Committee, a secret conspiracy at least as old as human history.
In Dark Cities Underground, American Book Award winner Lisa Goldstein reveals and explores the connections among the worlds of Narnia and Never-Never Land, the Wind in the Willows and Wonderland, myth and legend. But don't read Dark Cities Underground as an escapist secondary-world adventure; that will lead to disappointment, because this novel is about the nature and meaning of otherworlds, and not about disappearing into them. This fine modern fantasy is also about archetypes, childhood, growing up, loyalty, immortality, death, and love. --Cynthia Ward
From Publishers Weekly
The basis of some of the world's most enduring myths is explored in this new novel from Goldstein (winner of an American Book Award for her fantasy novel The Red Magician, 1982). Journalist Ruth Berry is working on a biography of E.A. Jones, beloved author of The Adventures of Jeremy in Neverwas, a classic series of children's books based on stories that Jones's son, Jeremy, told her about the imaginary Land of Neverwas. Now in his 50s, Jeremy "Jerry" Jones remembers little of his childhood, but Ruth's questions stir up a batch of old memories. Ruth isn't the only one dredging up the past: mysterious Barnaby Sattermole insists that Neverwas and its inhabitants are quite real, and he wants Jerry to show him the entrance, said to be someplace underground, in the World Below. As Ruth and Jerry delve deeper, they uncover links between the plot of the Neverwas series and Egyptian myths: specifically, how the god Osiris was killed by his brother Set and then restored to life by Isis. Ruth begins to wonder if many of the best-known children's books might actually be based on places and events in Neverwas. When Sattermole kidnaps Ruth's daughter, Gilly, Ruth and Jerry must enter the World Below to find the Eye of Horus, the key to Neverwas. The novel moves rapidly, building momentum as each secret is revealed. The narrative feels overplotted, however, and the characters not as full-blooded as those in some previous Goldstein books. Still, the story's premise, and the questions that arise from it, should keep readers involved.
Copyright 1999 Reed Business Information, Inc.
From Booklist
Researching her E. A. Jones biography, Ruth Berry gets in deeper, literally, than she would have thought possible. Jones is famous for writing up her little son Jeremy's strange adventures underground, which she says he told her. Middle-aged Jeremy, long estranged from his mother, denies he told her anything of the sort. But shortly after Ruth meets Jeremy--now Jerry, if you please--a strange man visits him, asking questions that stir forgotten memories. In short order, Jerry, Ruth, and new widow Sarah Kendall are prowling the same underground little Jeremy explored. The place exists below the world's subways, and in it one can travel from, say, San Francisco to London by walking through the right doorway. It is the original of such fantasy worlds as Wonderland and Never-neverland, and, inhabited by outmoded gods and crazed archetypes, it is neither safe nor cozy. Jerry and Sarah become speechless companions to Ruth on what come to seem solely her adventures, but this structural defect doesn't lessen the excitement and fascination of Goldstein's engrossing entertainment. Ray Olson
Most helpful customer reviews
7 of 7 people found the following review helpful.
A good book, but not Goldstein's best
By A Customer
If this had been the first novel I ever read by Lisa Goldstein, I think I would have loved it without reservations. Unfortunately, as much as I love the ideas presented in this book, the plot seems less coherent than those of her previous novels, despite being somewhat simpler, and the characterizations just don't seem as rich as those in earlier novels.
Each of her novels has been very different from every other. Strange Devices of the Sun and Moon is a brilliantly realized Elizabethan fantasy, Summer King Winter Fool is classic high fantasy, Tourists is a haunting novel about modern American travelers in a strange land where all the rules are different, and Walking the Labyrinth is an eerie but fun "exploring my family's mysterious and magical past" type of novel. I would give any of these novels five stars.
With Dark Cities Underground, Goldstein seems to be going further into Charles De Lint urban fantasy territory, where there is magic all around us, if only we can open our eyes to see it. I do enjoy books like this sometimes, but Goldstein's earlier books all seem much more lyrical to me, and oddly much more evocative of the strangeness in everyday things.
I still recommend reading this novel. The story is wonderful, and it's fun the way it connects so many of the best-loved stories of childhood. But if you enjoy this novel, do yourself a favor and check out any of Lisa Goldstein's other novels. Each of them is a uniquely beautiful fantasy masterpiece.
7 of 7 people found the following review helpful.
Original but disappointing
By John L. Velonis
Dark Cities Underground starts out in the fine tradition of many fantasies in which the characters discover bit by bit a vast, ancient secret world parallel to our own. Lisa Goldstein incorporates many original ideas into this time-tested framework, but unfortunately her prose is, well, prosaic, lacking (to my mind) the mystery and wonder necessary to draw the reader fully into the alternate world. And instead of the characters gradually discovering the secret, one clue at a time, most of it is simply told to them by an obliging trio of sisters, after having first been revealed to the reader as the narrative follows several denizens of the alternate world in their incursions into this one. The plot undergoes numerous twists, some of which are not very convincing, but it does carry you along. The characters were developed to some extent, but they still seemed somewhat simplistic to me.
On the whole, I'd say it's worth a read (it doesn't take very long); but for a much richer experience I suggest Robert Holdstock's Mythago Wood (dark fantasy) or A.S. Byatt's Possession (literary detective work).
6 of 6 people found the following review helpful.
Take a subway ride through childhood mythic adventure...
By Darren McKeever
Could there possibly be a connection between Winnie the Pooh, Peter Pan, Alice in Wonderland, The Hobbit and Wind in the Willows? Could they all be stories that were told, not by the authors to their children, but rather by the children to their parents? Could they all be about the same place, a fantastic world that only children could enter and return to tell stories about?
When a struggling journalist is hired to do a biography of A. E. Jones, the author of the classic children's series "Jeremy in Neverwas", her suspicions are aroused. Especially when she meets the author's son, now a disturbed, middle-aged man, who has become estranged from his mother for stealing his childhood. As she continues her research into truth behind Neverwas she never expects that her own daughter will also be drawn into this fantastic world. A world far more dangerous than any children's book.
This is terrific book. The author ties in history, myth and literature to create a timeless story. A fast paced and exciting roller-coaster ride. No, make that a fast paced and exciting subway ride! You'll get my meaning when you read the book.
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