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Evil and the Mask, by Fuminori Nakamura
PDF Ebook Evil and the Mask, by Fuminori Nakamura
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The second book by prize-winning Japanese novelist Fuminori Nakamura to be available in English translation, a follow-up to 2012's critically acclaimed The Thief─another fantastically creepy, electric literary thriller that explores the limits of human depravity─and the powerful human instinct to resist evil.
When Fumihiro Kuki is eleven years old, his elderly, enigmatic father calls him into his study for a meeting. "I created you to be a cancer on the world," his father tells him. It is a tradition in their wealthy family: a patriarch, when reaching the end of his life, will beget one last child to cause misery in a world that cannot be controlled or saved. From this point on, Fumihiro will be specially educated to learn to create as much destruction and unhappiness in the world around him as a single person can. Between his education in hedonism and his family's resources, Fumihiro's life is one without repercussions. Every door is open to him, for he need obey no laws and may live out any fantasy he might have, no matter how many people are hurt in the process. But as his education progresses, Fumihiro begins to question his father's mandate, and starts to resist.
From the Hardcover edition.
- Sales Rank: #372043 in eBooks
- Published on: 2013-06-11
- Released on: 2013-06-11
- Format: Kindle eBook
From Booklist
*Starred Review* It is tradition in the Kuki family for the patriarch to sire one son to be a “cancer.” At age 11, Fumihiro Kuki is told that he is to be the cancer. His menacing arms-merchant father promises to show him “hell” as a teen to ensure that he will wreak havoc on Japanese society, and he even adopts Kaori, an orphan girl, to use as a tool in tormenting his son. Boy and girl fall in love, and Fumihiro kills his father to shield Kaori and avoid his fate. Nakamura cuts abruptly to the present, and thirtysomething Fumihiro has a new face, supplied by an outlaw plastic surgeon, and as he searches for Kaori in a dystopian Japan beset by many human and societal cancers, he believes that his father succeeded. Nakamura’s The Thief (2012) won Japan’s top literary award. Evil and the Mask is a hard-to-put-down novel of ideas and a savage comment on nihilism, both Japanese and global. It is monstrous, and at times fanciful (e.g., homegrown nihilist-terrorists bombing buildings, killing provincial politicians, and demanding that the prime minister do an impersonation of a Japanese pop star on national TV); and like The Thief, it employs themes used by Mishima, Camus, and Dostoevsky. It may befuddle some Western readers, but it shouldn’t be missed. --Thomas Gaughan
Review
Praise for Evil and the Mask
“Karma runs thicker than blood in Evil and the Mask, the thought-provoking and unpredictable new novel by the Japanese zen-noir master Fuminori Nakamura.”
—Wall Street Journal
“Evil and the Mask is a brilliant novel from one of Japan’s most current authors . . . If you love Patricia Highsmith, you’ll love Nakamura.”
—Globe and Mail
“Evil and the Mask is a hard-to-put-down novel of ideas and a savage comment on nihilism, both Japanese and global . . . Shouldn't be missed.”
—Booklist, Starred Review
“A twisted tale of revenge . . . mixing noir and the existential question of free will.”
—The Japan Times
“Deliciously twisted . . . Nakamura bend[s] the line between what is good and what is evil until it nearly breaks. It’s impressive how a book so dark can be so much fun.”
—Grantland
“[Evil and the Mask is] full of themes that everyone can appreciate . . . Nakamura blurs the line between light and dark, good and evil. He illustrates that nothing in life is completely black and white.”
—Tulsa Books Examiner
“Evil and the Mask is concerned with a twisty sense of morality: is Fumihiro born evil, and can he escape the cruelty associated with his surname?”
—Omnivoracious
“Deals with basic questions of good and evil, guilt and remorse. Cryptic detectives, smoky nightclubs, and murky streets in Japanese suburbs add to the noir sensibility. At times bizarre, at times hallucinatory, the story is always provocative.”
—Publishers Weekly
“This literary thriller steeps the reader in humanity’s dark nature and the struggle of those who try to resist their own moral corruption.”
—Library Journal
“Evil and the Mask is an engrossing account . . . The story is violent, revengeful, and often disagreeable but it still contains that hypnotic voice that makes you want to read more.”
—Midwest Book Review
“Evil and the Mask, the second book of his to be available in English, is undoubtedly the narrative that will help cement him as the new master of Japanese noir . . . an absolute must-read.”
—Out of the Gutter Magazine
From the Hardcover edition.
About the Author
Fuminori Nakamura was born in 1977 and graduated from Fukushima University in 2000. He has won numerous prizes for his writing, including the Oe Prize, Japan’s largest literary award, and the prestigious Akutagawa Prize. The Thief, his first novel to be translated into English, was a finalist for the Los Angeles Times Book Prize. He is the recipient of the David L. Goodis Award for Noir Fiction. He lives in Tokyo with his wife.
From the Hardcover edition.
Most helpful customer reviews
6 of 6 people found the following review helpful.
The death of emotion
By TChris
"It wasn't revenge. I simply wanted to set him on fire. Air, that was the word that came to mind. I felt as little emotion as air." Fumihiro wants to destroy evil, but does the killer of evil become the thing he kills? That question lies at the heart of Evil and the Mask, the second novel by Fuminori Nakamura (after The Thief) to be translated into English.
Evil and the Mask opens with a fascinating premise. It is a tradition for men in a certain family, after attaining the age of sixty, to sire a child who will become a cancer in the world, tasked with spreading misery. The men do this to punish the world for continuing to exist after they perish. In an attention-grabbing first chapter, Shozo Kuki explains the tradition to his youngest son, Fumihiro. Shozo tells Fumihiro he will experience hell when he turns fourteen. Hell will somehow involve Kaori, an orphaned girl Shozo adopted, and to whom Fumihiro becomes attached.
The novel jumps between the formative events of Fumihiro's childhood and the present, more than a dozen years later. The adult Fumihiro has changed his face to match that of Koichi Shintani, a dead man whose identity Fumihiro purchased on the black market. The plot springs forward along three twisted paths. One involves Shintani's past and the baggage that comes with it. Another brings Fumihiro (with Shintani's face) into Kaori's life again, but in a very different role. The third introduces a cultish group of pseudo-terrorists who use absurdity to undermine culture.
Like The Thief, Evil and the Mask is a novel of psychological suspense. The story's strength involves Fumihiro's struggle to shed one identity and to adopt another, to reinvent himself -- an impossible task, perhaps. It's easy to change a face and a name, not so easy to change your inner self, to abandon memories. Unlike The Thief, however, Evil and the Mask is so determinedly a novel of psychology that some characters indulge in lengthy analytical speeches -- about beauty, death, morality, anarchy, entropy, familial love, the motivations for violence and war, the nature of evil -- that too often seem forced.
Still, the character of Fumihiro is impressively constructed. The reader feels the crushing weight of his oppressive past, his struggle to feel something. His coffee has no flavor, he doesn't notice the cold. He is little more than an animated corpse. He has forsaken the happiness he experienced while he and Kaori were still innocent -- a happiness that the adult Fumihiro regards as "some kind of mistake" that "soon vanished into the distance." He still longs for Kaori but fears that another character's prediction will come true, that he will destroy the one thing in the world that remains precious to him if he gets close to her. Can Fumihiro shed the despondency that consumes him only by embracing madness? Whether his future is to be determined by destiny or choice, the novel's dramatic tension comes from the uncertainty of the path that Fumihiro's life will follow.
Evil and the Mask is a meditation on change and choice, on killing and on what it means to be alive. Apart from its philosophical implications, the story is intriguing. The plot threads weave together convincingly, although the storyline involving Shintani's past doesn't quite reach its potential. The ending (like The Thief, inconclusive, permitting the reader to imagine what might happen next) is satisfying. If I could, I would give Evil and the Mask 4 1/2 stars.
5 of 5 people found the following review helpful.
nothing is what it seems
By ancient incognito monkey
This is a page turner and a half, for there is much mystery in this story of a boy who has been told his only purpose in this life is to be a cancer to his fellow humans.
He carries this burden as one might imagine, yet his thoughts and actions are surprisingly delicate. At each turn in his life he will show more grace, intelligence and cunning than we might ever expect from him. As might be expected, he is terribly depressed and the book discusses in depth, the collective human depression of the 20th and 21st centuries. We've endured two world wars and any number of incredibly savage smaller wars on one another. There is cause and there is effect. And ultimately there is much guilt, as well.
Eventually the boy becomes a man and would seem to be stumbling through specific events of his life, even accomplishing much of what he seeks to acheive. But what does he seek? ..........well, it's not for me to reveal but for the reader to discover.
This book opens very powerfully and then settles into a narrative far more sublime, devious and subtle.
Great book, so poetically and personally written, I gifted myself stolen moments to continue.
I confess I love Japanese authors. Theirs is an approach and sensibility quite different from the western one and they express themselves in a unique emotional vocabulary. This book particularly uses it to further the plot and I loved these glimpses.
Nothing is ever what it seems, and very little goes where we expect or what we're been accustomed to in our narratives.
You know how it begins - with a little boy, a little girl and a very old and devious father, but nothing and no one are exactly what you think. The ending is perfect. Now I will read Mr. Nakamura's first book. :)
0 of 0 people found the following review helpful.
Not for everyone
By ava
It is one of those wonderful books that either pulls you in immediately or repulses you. The book begins with a very dark tone, so dark you aren't sure there is any sort of light at the end of the tunnel. The story is heavy with monologue and you'll get a fair idea individual character's personal philosophies but the story moves forward at a solid pace.
Since others have touched on the story I won't. It did begin as a mystery novel in a sense and I felt that the ending it delivered was very satisfying. There is not much explicit violence or action, in that sense it is more of a psychological thriller. After my first read through, I've gifted this book to two friends, one loved it while the other was underwhelmed. Personally, I'm looking forward to reading it again.
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